Super 8 is less about perfection and more about presence.
It’s grainy, nostalgic, and a little unpredictable in the best way. There’s a softness to it, movement that digital just can’t replicate. It feels like a memory.
I use Super 8 to capture the in-between, the way your dress moves in the wind, your friends laughing mid-sentence, your partner reaching for your hand without thinking. It’s not posed or polished. It’s emotional and experiential.
If photography captures the beauty in the mundane, Super 8 captures the motion of it.